ночибелые.рф

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RUR 2519

Apres une enfance difficile, Tchekhov entreprend des etudes de medecine et publie, a partir de 1880, des nouvelles dans differents journaux humoristiques. Maitre de la nouvelle breve (il en a ecrit plus de cent), Tchekhov a egalement revolutionne le theatre russe (Oncle Vania, La Mouette, Les trois sceurs, La Cerisaie...). Le present recueil propose six nouvelles regroupees autour du theme " frissons et crimes ".

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RUR 2335

La Russie, a la fin du XIXe siecle. Tchekhov ecrit des dizaines de contes et nouvelles inspires de la vie quotidienne. Dans ce recueil, nous avons privilegie les nouvelles humoristiques. On y trouvera le grotesque, la mechancete, la betise, le ridicule, la vanite, la jalousie, la roublardise ou la ruse, bref, un condense de " L'ame " humaine, tempere, cependant, par une certaine tendresse. Un portefeuille, un miroir, des bottes, des objets tout simples et qui pourtant sont pretextes a des petites comedies savoureuses. Tchekhov, connu comme un des plus grands dramaturges de tous les temps, a su aussi mettre en scene, dans ces nouvelles, des personnages pour rire et sourire qui restent aujourd'hui encore etonnamment authentiques.

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La jeune Anna Akimovna a herite d'une usine dont elle doit assurer la direction. Mais, a vingt-cinq ans, quelle riche et jolie femme voudrait passer ses soirees a travailler? D'autant que, parmi ses ouvriers, le beau Pimenov ne la laisse pas insensible. Et elle se prend a rever… Deux nouvelles acides sur l'amour et ses malentendus par l'un des grands maitres de la litterature russe.

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Camisoles et barreaux aux fenetres, la salle 6 est reservee aux fous sous la surveillance negligente du docteur Raguine. Indifferent au sort de ses malades qu'il considere comme irremediablement condamnes, Raguine se lie pourtant avec l'un d'entre eux, Gromov, atteint d'un delire de la persecution. Influence par le desespoir de Gromov, le medecin sombre peu a peu jusqu'a rejoindre la salle 6… Avec une sobriete et une concision glaciales, Tchekhov retrace le naufrage d'un homme.

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RUR 1194

Anton Chekhov was one of Russian literature's greatest short story writers. This collection brings together twenty-five of his best known, including ‘Fat and Thin’, ‘Sleepy’, ‘Rothschild’s Fiddle’, and ’The Lady with a Dog’. An acute observer of everyday life in late 19th-century Russia, Chekhov was a master of wry precision. His clear, subtle prose conjures up a diverse range of characters, whether they be small children arguing over a game, two old school friends meeting by chance, or lovers conducting an illicit affair. By turns tragic, comic, and satirical, each story paints a vivid picture that lives long in the mind.

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"Oh, good God," he kept saying with great relish. "Good God..." 'Gooseberries' is accompanied here by 'The Kiss' and 'The Two Volodyas' - three exquisite depictions of love and loss in nineteenth-century Russia by Chekhov, the great master of the short story form. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Anton Chekhov (1860-1904). Chekhov's works available in Penguin Classics are The Steppe and Other Stories, Ward No. 6 and Other Stories, The Lady with the Little Dog and Other Stories, The Shooting Party, Plays and A Life in Letters.

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The most widely staged dramatist after Shakespeare, Chekhov left a deep mark both on the development of Russian literature and world theatre, with plays that were remarkable not just for their dialogue but their atmosphere and the tensions expressed between the lines. Collected in this volume are Chekhov's four most celebrated plays - The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard - in a brand-new translation by Hugh Aplin. In these personal stories of unfulfilled love, failed ambition and existential ennui, set against a background of unsettling social and economical change, the reader can appreciate the groundbreaking qualities of Chekhov's theatrical genius.

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Five masterful dramatic works from one of the world's best-loved playwrights, including The Seagull-now a major motion picture starring Saoirse Ronan, Elizabeth Moss, and Annette Bening At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The Seagull contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of Uncle Vanya, his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In Three Sisters the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy The Cherry Orchard portrays characters futilely clinging to the past as their land is sold from underneath them. In this edition Peter Carson's moving translations convey Chekhov's subtle blend of comedy, tragedy and psychological insight, while Richard Gilman's introduction examines how Chekhov broke with theatrical conventions and discusses each play in detail. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Anton Chekhov's popularity in the West is without parallel for a foreign writer. He has been absorbed into our culture, and accepted as one of our own. His plays lend themselves easily to the stage, calling for actors with intelligence and common sense rather than a dramatic voice or histrionic skills. He takes from everyday life themes of frustration which apply to us all - the difficulty of carving out a happy existence, the problems of love, the fading of hope, the universal feeling that time passes and we never quite get things right. This seems pessimistic, and yet Chekhov claimed he was writing comedy. Readers, actors and directors must decide for themselves which way to play these pieces. They are full of sadness, but a sadness described as the 'darkness of the last hour before the dawn'. Whether tragic or comic, however, they are works of the first importance. "The Cherry Orchard" has been described as 'the best play since Shakespeare', "Three Sisters" as 'the best play in the world'.

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RUR 473

Anton Chekhov was a master of the short story. The son of a former serf in southern Russia, he attended Moscow University to study medicine, writing short stories for periodicals in order to support his family. What began as a necessity became a legitimate career in 1886 when he was asked to write in St. Petersburg for the Novoye Vremya (New Times), owned by millionaire magnate Alexey Suvorin. Chekhov began paying more attention to his writing, revising and developing his own principles and conceptions of truth, for a time coming under the influence of Leo Tolstoy. As a result of his widespread popularity, Chekhov amassed a vast collection of short stories displaying an early use of stream-of-consciousness writing, as well as his powerful ideas concerning the individual, the tedium of life, and the beauty nature and humanity. "Selected Stories of Anton Chekhov" including many of the author's greatest shorter works.

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RUR 321

Anton Chekhov was a master of the short story. The son of a former serf in southern Russia, he attended Moscow University to study medicine, writing short stories for periodicals in order to support his family. What began as a necessity became a legitimate career in 1886 when he was asked to write in St. Petersburg for the Novoye Vremya (New Times), owned by millionaire magnate Alexey Suvorin. Chekhov began paying more attention to his writing, revising and developing his own principles and conceptions of truth, for a time coming under the influence of Leo Tolstoy. As a result of his widespread popularity, Chekhov amassed a vast collection of short stories displaying an early use of stream-of-consciousness writing, as well as his powerful ideas concerning the individual, the tedium of life, and the beauty nature and humanity. "Selected Stories of Anton Chekhov" including many of the author's greatest shorter works.

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RUR 336

Представляем вашему вниманию книгу Антона Павловича Чехова "Selected Stories". На английском языке.

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RUR 903

Anton Chekhov was a master of the short story. The son of a former serf in southern Russia, he attended Moscow University to study medicine, writing short stories for periodicals in order to support his family. What began as a necessity became a legitimate career in 1886 when he was asked to write in St. Petersburg for the Novoye Vremya (New Times), owned by millionaire magnate Alexey Suvorin. Chekhov began paying more attention to his writing, revising and developing his own principles and conceptions of truth, for a time coming under the infl uence of Leo Tolstoy. As a result of his widespread popularity, Chekhov amassed a vast collection of short stories displaying an early use of stream-of-consciousness writing, as well as his powerful ideas concerning the individual, the tedium of life, and the beauty nature and humanity. "Selected Stories of Anton Chekhov" including many of the author's greatest shorter works.

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RUR 1966

In 1890, the thirty-year-old Chekhov, already knowing that he was ill with tuberculosis, undertook an arduous eleven-week journey from Moscow across Siberia to the penal colony on the island of Sakhalin. Now collected here in one volume are the fully annotated translations of his impressions of his trip through Siberia and the account of his three-month sojourn on Sakhalin Island, together with his notes and extracts from his letters to relatives and associates. Highly valuable both as a detailed depiction of the Tsarist system of penal servitude and as an insight into Chekhov’s motivations and objectives for visiting the colony and writing the expose, Sakhalin Island is a haunting work which had a huge impact both on Chekhov’s career and on Russian society.

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On a visit to a provincial town to see his sister Nina who is suffering from cancer, Alexei Laptev, who works for his father's Moscow haberdashery business, falls in love with Yulia, the daughter of her doctor, and proposes to her. Although she does not reciprocate his feelings, she agrees to marry him and live with him in the capital, where the couple's relationship is marred by tensions: Yulia is filled with regrets about her choice and boredom with her new existence, while Alexei is nagged by the suspicion that she married him for his money alone. However, as time passes and misfortune strikes, they both learn to reassess all of their assumptions. Chekhov's second-longest prose work after The Steppe, Three Years is, in the author's own words, "a novel of Moscow life" and an examination of its merchant classes. A powerful story of redemption and the nuances of human relationships, the novella helped cement Chekhov's reputation as a major figure in Russian literature.

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Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition.